The Museum of Contemporary Art’s Cornelia Parker is a testament to the British artist’s vital work, as she contends with the violence and volatility of our times.

In The Construction of an Act, British installation artist Haroon Mirza explores how extraordinary feelings can arise from everyday phenomena.

With art collectives on the rise, this mob – a group of young blak artists – put their work on display in two Melbourne gallery spaces in a bid to subvert the usual way artists interface with the public.

The Tangible Trace, the TarraWarra Museum of Art’s new exhibition, has works of subtle beauty, but ultimately asks too few challenging questions of its audience.

The National successfully unites three cultural institutions in an exhibition interrogating inequality, colonisation and racism.

Surprisingly, proximity to Patricia Piccinini’s unsettling hybrid forms brings the darker themes of painter Joy Hester’s work to the fore, in the joint exhibition Through love... at TarraWarra.

Steven Rhall’s exhibition Defunctionalised Autonomous Objects addresses the way colonial societies have exhibited Indigenous art and culture, and makes its audience face their previous comfort with it.