Cassie Tongue

Material aspiration clashes with true romance in Glace Chase’s open-hearted play Triple X.

The Sydney Festival opens with work that pushes against structures of promise and oppression.

This year’s Liveworks at Sydney’s Carriageworks considered what performance might be if we’re not present to make or share it.

The STC’s Australian premiere brings a sense of compassion to the musical adaptation of Alison Bechdel’s groundbreaking graphic novel Fun Home.

John Bell’s solo show One Man in His Time reveals his mastery of Shakespeare’s language – and the limitations of the classic English writer’s claims to universality.

Although Covid-19 restrictions enforce a lack of spontaneity, this year’s Sydney Festival feels like spiritual healing.

Returning to the stage after almost two decades, Alma De Groen’s Wicked Sisters now reads like a study of the generational failures of white feminism.