Christos Tsiolkas
is the author of The Slap, Barracuda and Damascus. He is The Saturday Paper’s film critic.

By this author


Culture January 30, 2021

Promising Young Woman

Emerald Fennell’s film Promising Young Woman begins well, but is ultimately betrayed by a lack of courage.

Culture December 19, 2020

A year without cinema

In 2020 we mostly had to watch films at home, and the most exciting possibilities still emerged from independent cinema.

Culture December 05, 2020

The Trouble with Being Born

For all its controversial subject matter, Sandra Wollner’s film is a smart, ethical investigation that doesn’t deserve to be banned.

Culture September 19, 2020

The Translators

A cynical nod to Agatha Christie’s locked-room mysteries, Régis Roinsard’s The Translators fails to recognise the complexities and canniness of that storytelling tradition.

Culture August 15, 2020

First Cow

MIFF opening night film First Cow follows the austere and sophisticated path of director Kelly Reichardt’s previous works but is stymied by its small-screen showing and the underdeveloped ‘buddy’ relationship at its core.

Culture July 11, 2020

A tribute to a great composer

In a career that spanned more than six decades, Ennio Morricone scored hundreds of films, writing music that worked in concert with the directors’ vision.

Culture June 27, 2020

Elia Suleiman’s It Must Be Heaven

In his latest film, It Must Be Heaven, Elia Suleiman continues to explore the absurdity and tragedy of being Palestinian, and weaves in a moving contemplation of the ageing body.

Culture June 13, 2020

Missing that big-screen feeling

While welcoming the Covid-19 lockdown as a chance to catch up on some TV and film viewing, this reviewer found himself craving, with a few notable exceptions, the romance of the cinematic experience.

Culture May 09, 2020

Beastie Boys Story

Forgoing depth and complexity for cheap nostalgia, Beastie Boys Story has little of the vitality that characterised the band’s music.

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