Christos Tsiolkas
is the author of The Slap and Barracuda. He is The Saturday Paper's film critic.

By this author


Film September 29, 2018

Ladies in Black

Bruce Beresford’s Ladies in Black is not just a homage to classical filmmaking and 1950s Sydney, it is also a window into the cultural richness brought by post-World War II refugees. If only it had pushed darker themes further.

Film August 18, 2018

Spike Lee’s ‘BlacKkKlansman’

Where Spike Lee’s films usually brim with passion and intellect, his portrayal of black activism and racism in BlacKkKlansman becomes more slapstick than sinister.

Film June 23, 2018

‘Disobedience’

Through subtlety and its refusal to out a villain, Disobedience sees its three stars radiate passion and intensity – for their faith and each other – under the masterful direction of Sebastián Lelio.

Film April 28, 2018

‘Loveless’

In Loveless, the tale of a lost boy and a marriage in tatters, Andrey Zvyagintsev delivers a tragedy that is also a masterpiece and the best film of the past few years.

Film March 31, 2018

‘The Other Side of Hope’

Finnish director Aki Kaurismäki’s The Other Side of Hope revisits worthy themes close to the director’s heart, but lacks the daring to take his filmmaking to new heights.

Film February 17, 2018

‘Film Stars Don’t Die in Liverpool’

As a fading diva in Film Stars Don’t Die in Liverpool, Annette Bening reminds the reviewer of why he fell in love with film in the first place.

Film January 27, 2018

Warwick Thornton’s ‘Sweet Country’

Warwick Thornton’s Sweet Country joins the canon of Australian westerns probing violent colonialism and Indigenous dispossession.

Film December 23, 2017

‘Call Me By Your Name’

In Luca Guadagnino’s ‘Call Me By Your Name’, Timothée Chalamet provides an outstanding portrait of a swooning teen’s sexual awakening.

Film November 24, 2017

‘The Killing of a Sacred Deer’

Yorgos Lanthimos’s The Killing of a Sacred Deer is a dark parable about eye-for-an-eye justice. But at the heart of the film is the view that children are never innocent.

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