Christos Tsiolkas
is the author of The Slap and Barracuda. He is The Saturday Paper's film critic.

By this author


Film February 17, 2018

‘Film Stars Don’t Die in Liverpool’

As a fading diva in Film Stars Don’t Die in Liverpool, Annette Bening reminds the reviewer of why he fell in love with film in the first place.

Film January 27, 2018

Warwick Thornton’s ‘Sweet Country’

Warwick Thornton’s Sweet Country joins the canon of Australian westerns probing violent colonialism and Indigenous dispossession.

Film December 23, 2017

‘Call Me By Your Name’

In Luca Guadagnino’s ‘Call Me By Your Name’, Timothée Chalamet provides an outstanding portrait of a swooning teen’s sexual awakening.

Film November 24, 2017

‘The Killing of a Sacred Deer’

Yorgos Lanthimos’s The Killing of a Sacred Deer is a dark parable about eye-for-an-eye justice. But at the heart of the film is the view that children are never innocent.

Film October 06, 2017

‘Blade Runner 2049’

Thirty-five years ago, Blade Runner was a thrilling and potent sci-fi offering. But while its sequel is just as visually inviting, the film’s storyline is more replicant than cutting edge.

Film September 02, 2017

‘God’s Own Country’

While Yorkshire-born director Francis Lee brings authenticity to the screen with his depiction of rural labours, he fails to find honesty in God’s Own Country’s idealised central relationship.

Film July 15, 2017

Sofia Coppola’s ‘The Beguiled’

In remaking The Beguiled, Sofia Coppola has captured some beautiful and atmospheric moments of the antebellum south. But, the film fails to confront the defining issues of the time.

Film June 24, 2017

‘A Quiet Passion’ and ‘Whitney: Can I Be Me’

A film about Emily Dickinson and a documentary on Whitney Houston may seem worlds apart but both address – with varied success – the notion of divine gifts.

Film May 13, 2017

Jordan Peele’s ‘Get Out’

Jordan Peele’s satirical horror Get Out fails to frighten by addressing America’s race politics on the surface rather than probing its subconscious fears.

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