Christos Tsiolkas
is the author of The Slap, Barracuda and Damascus. He is The Saturday Paper’s film critic.

By this author


Culture October 05, 2019

The Souvenir

Joanna Hogg’s autobiographical fourth feature film, The Souvenir, explores the fallibility of memory and attraction, grounded by nuanced performances from Honor Swinton Byrne and Tom Burke.

Culture September 21, 2019

Sophie Hyde’s Animals

Despite some missed opportunities in its storytelling, Animals is sustained by riveting performances from its two leads, and by Sophie Hyde’s generosity as a director.

Film August 24, 2019

Once Upon a Time in Hollywood

Quentin Tarantino’s childhood love of cinema again is at the fore in his nostalgic paean Once Upon a Time in Hollywood. But when will the writer-director invest his talents in something fresh and challenging?

Culture August 03, 2019

Diego Maradona

After his excellent documentaries Senna and Amy, Asif Kapadia has turned his attention to another modern icon, Diego Maradona. But this new film is inhibited by its narrow vision.

Film July 06, 2019

Parasite

Bong Joon-ho’s impeccable technical skills are on show in Parasite, his Palme d’Or-winning comic thriller, but the film’s social commentary doesn’t quite hit the mark.

Film April 13, 2019

Transit

In Transit, Christian Petzold transposes a story of World War II refugees into a contemporary setting. By pulling off this feat, he confronts viewers with their complicity in the treatment of asylum seekers today.

Film March 30, 2019

Destroyer

Despite a valiant performance from Nicole Kidman in Destroyer, Karyn Kusama’s feminist take on film noir ultimately shies away from true darkness.

Culture March 09, 2019

Everybody Knows

After a shift in setting to Spain for Everybody Knows, Iranian filmmaker Asghar Farhadi squanders a brilliantly tense kidnapping drama in an attempt to provide social commentary.

Film January 26, 2019

Roma

The unequal but loving relationships in Roma, Alfonso Cuarón’s film set amid the political turmoil of 1970s Mexico, deliver some of the most powerful scenes in recent cinema.

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