Neha Kale

Shubigi Rao’s unclassifiable writing and visual art wryly unpack the disappearances of Empire.

A poignant Western Sydney exhibition demands we pay attention to visions that women have long made material.

For the past three decades, artist Maria Fernanda Cardoso has blurred the line between the natural world and human artifice, demanding that we look more closely at nature.

Know My Name, a thrilling exhibition at the National Gallery of Australia, pays tribute to the radical achievements of Australian women artists – while reminding us that representation is only the beginning of structural change.

In his first interview since his appointment, celebrated Colombian curator José Roca speaks about bringing a sense of radical urgency to his new role. “I intend to look for practices that are already under way and let the biennale be a catalyst for the process. One of my guiding principles is to build upon what is already built.”

For Amala Groom, making art is a collaboration between herself and her Wiradyuri ancestors. Drawing on her history and culture, as well as her legal training, she seeks to subvert the colonial project. “Colonialism affects all of us … To be change agents we have to be inclusive, and Aboriginal culture is inclusive.”

Japan supernatural, the new blockbuster exhibition at the Art Gallery of New South Wales, celebrates the transient nature of existence while challenging the unseen forces that shape our lives.

With his bold, sumptuous paintings, Michael Armitage is intent on challenging colonial assumptions about East Africa and revealing the region’s complexities. “Sex, poverty and dictators: if you are talking about this part of the world, you always come up against those stereotypes and that’s been very difficult … For me, it’s been important to use an exotic language but show that it is also a form of dumbing down.”

Artist Janet Laurence explores the relationship between the metaphysical and the physical by giving voice to our fraught but soul-deep relationship with the world in which we live. “My first review read, ‘Janet Laurence deals with nature and the dark side of life and this is not where a woman should be.’ ” She dissolves into peals of laughter. “It was a female writer!”

The 9th Asia Pacific Triennial of Contemporary Art in Brisbane eschews the Western art world’s reliance on checkbox diversity in favour of genuine immersion in our region.