At Sydney Contemporary, the commercial realities of the art fair dissolve as he apprehends the elemental power of Rover (Julama) Thomas’s works.

An exhibition of Tony Tuckson’s works on paper reveals an artist whose paintings did not so much respond to the world as express it.

Jenny Watson’s assured handling of paint, and the worlds hidden beneath it, as well as her exploration of feminism and psychoanalysis, make her a vital Australian artist.

An eclectic collection at UNSW Galleries explores human interaction with working models, as they straddle the divide between the imagined and the functional.

The Art Gallery of SA’s crowded rooms of images and sculptures overwhelm the opportunity of its Versus Rodin exhibition to pit contemporary artists against the figurative master.

Two exhibitions of utopian abstraction enable comparison of pure ideological approaches with something gentler. The latter is more satisfying.

Amid a deluge of data, land and lore tell a compelling story of the actual over the virtual world.

An AGNSW exhibition of iconic nudes on loan from Tate Britain pays homage to our fascination with the human form.

MONA’s On the Origin of Art features curation by a cognitive scientist, a professor of literature, a psychologist and an evolutionary neurobiologist.