By this author
Culture October 15, 2016
Architect Vo Trong Nghia meditates on creative process
Nature and the interdependence of all things are the keys to architect Vo Trong Nghia creations.
Art September 10, 2016
‘Degas: A New Vision’ at the NGV
Edgar Degas’ early emphasis on the line in masterful renditions of nudes, dancers and horses gave way as his sight faltered, leading to his most interesting paintings.
Portrait September 24, 2016
MUMA curator Helen Hughes
In conversation with MUMA's new curator.
Art August 13, 2016
Nicholas Mangan’s ‘Limits to Growth’
Nicholas Mangan explores the tension between capital and dwindling natural resources, and how they come together in the grim story of asylum seekers held on Nauru.
Art July 30, 2016
Diane Arbus: American Portraits
Diane Arbus’s intimate portraits are the work of a transgressive artist seeking to portray the almost invisible human truth.
Art June 18, 2016
Tang: Treasures from the Silk Road capital
An exhibition of Tang dynasty art and objects shows how possessions – even in death – signified power.
Art April 23, 2016
The 20th Sydney Biennale
Stephanie Rosenthal's sprawling 20th Biennale of Sydney references Kazimir Malevich’s Black Square and Charlie Brooker’s Black Mirror.
Art March 19, 2016
Lloyd Rees drawings at the Museum of Sydney
Lloyd Rees’s works remind that drawing is an expression of connectedness to our surroundings.
Art February 20, 2016
El Anatsui: Five Decades
A major show of Ghanaian-born artist El Anatsui’s opulent sculptures folds and weaves scrap metals with ancient histories.
Art December 19, 2015
Grayson Perry’s ‘My Pretty Little Art Career’
My Pretty Little Art Career puts Grayson Perry’s life of self-examination on display, from his kinky ceramics to works angrier but no less colourful.
Art September 12, 2015
Robert MacPherson at GOMA
A new exhibition of works by Robert MacPherson at GOMA showcases an artist for whom life, art and work are inextricably bound.
Art July 18, 2015
Moving pictures in Sydney galleries
A string of group shows at commercial galleries make a virtue of the conversations that can be had between paintings.