MTC and Queensland Theatre’s revival of Emerald City brings the distinctly Australian dramatic idiom of playwright David Williamson into focus once more. Skilfully led by Nadine Garner, the work still has much to offer.

Boasting a superlative performance by Nikki Shiels, Home, I’m Darling combines high farce and drama to interrogate gender roles.

Once a powerhouse of Australian publishing, Hilary McPhee traded the comfortable life she knew for a mysterious job with Middle Eastern royalty. In writing about this adventure and the collapse of her marriage to Don Watson in her new memoir, Other People’s Houses, she traces her strange journey back to herself. “I dreaded coming back to Australia because I left feeling I’d lost everything, I’d lost my marriage. We’d been together for more than 20 years, so it was quite a lot of life.”

With a superb cast and a cracking pace, the BBC–HBO adaptation of Philip Pullman’s His Dark Materials proves television is the perfect vehicle for the beloved trilogy.

As a piece of ambitious drama – brimming with compassion and moody delights, and performed by a superb ensemble cast – Anthem hits the high notes.

With its pitch-perfect production of David Ireland’s wickedly funny Ulster American, Red Stitch Actors Theatre continues to do some of the most interesting work to be seen on Australian stages.

Under the disciplined baton of founder Alexander Briger, the Australian World Orchestra played an impressive concert of works by Westlake, Janáček and Sibelius.

Under the disciplined baton of founder Alexander Briger, the Australian World Orchestra played an impressive concert of works by Westlake, Janáček and Sibelius.

While Victorian Opera’s production of A Little Night Music may fail to dazzle, it satisfyingly portrays Sondheim’s witty insights into the sweetness and sorrow of the world.