John Bell delivers perhaps his finest performance as a man suffering dementia in Florian Zeller’s masterpiece The Father.

Billie Piper’s performance in Lorca’s tragedy Yerma caps a powerful production at the Young Vic for the ‘antipodean Orson Welles’, Simon Stone.

Gary Abrahams’ production of Angels in America is stark and shrewd, and has in Helen Morse a virtuosic display of restrained acting.

Sam Strong’s production of the timeless farce Noises Off  falters in pacing and believability, delivering an awful production of a play that is about an awful production of a play.

As a child, Downton Abbey’s Charles Edwards listened to the classic My Fair Lady recording with Julie Andrews and Rex Harrison. Now he's playing Henry Higgins, with Andrews directing.

Actor Jai Courtney, the latest Australian to make headway in Hollywood, returns to the theatre to give MTC’s Macbeth his muscle.

In Lally Katz’s latest play, the MTC fails to capture the dramatist’s magic, despite fine performances by two grand dames of the stage.

In the style of Alan Ayckbourn, Sam Holcroft’s Rules for Living for Red Stitch portrays middle-class disarray at its most engaging.

Sarah Goodes’ MTC production of John features two actors at the height of their powers, in a drama from the master playwright Annie Baker.