Shaad D’Souza
is The Saturday Paper’s music critic.

By this author


Music March 27, 2021

Lana Del Rey’s Chemtrails over the Country Club

Lana Del Rey’s sixth album, Chemtrails over the Country Club, is an exquisitely rendered journey through a dark night of the soul.

Culture February 06, 2021

SOPHIE

The untimely death of the iconic producer SOPHIE brings to an end a spectacular career that reshaped modern pop.

Culture January 30, 2021

Singer-songwriter Sarah Mary Chadwick

The bleak and brilliant confessional songs of Sarah Mary Chadwick’s singular repertoire draw on psychoanalysis and her Catholic childhood.

Culture December 19, 2020

Music’s year of reckoning

In 2020, the inequities between major-label artists and indie musicians became untenable – and it has led to a surging politicisation of the music industry.

Culture December 12, 2020

We Will Always Love You

The Avalanches’ third album is their most explicitly spiritual record – and their best yet.

Culture November 14, 2020

Hey u x

New Zealand Spotify star Benee is preternaturally talented, but her debut album isn’t enough to drag her out of sludgy easy-listening playlists.

Culture November 07, 2020

Singers Vika and Linda Bull

The Bull sisters took their gospel-singing Tongan background and perfectly blended harmonies and carved a decades-long career as both quintessential musician’s musicians and popular favourites. “I like the challenge of creating something out of nothing,” says younger sister Linda. “And then what happens at the end of that process is you get a song that you can sing for years.”

Culture October 17, 2020

The Ascension

Sufjan Stevens’ new album reinvents his aesthetic as he confronts the psychic terror of contemporary America.

Culture August 22, 2020

Indie folk icons Bright Eyes

Ten years after their previous album, Bright Eyes’ latest release brings a new lightness to their apocalyptic imagining. “Lyrical and generous, it feels like a new beginning for Oberst and co on their own terms, despite the weight of its conception, and despite the pain that it holds.”

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