Shaad D’Souza
is a music critic for The Saturday Paper.

By this author


Culture November 30, 2019

Albums of 2019

Four recent releases highlight the wealth of talent on the Australian music scene, ranging from rap and R&B to emotional torch songs and shattering destruction.

Music November 09, 2019

FKA twigs’ Magdalene

Electronic musician FKA twigs is at the height of her powers on her new album, Magdalene, which combines formal ingenuity with visceral emotion.

Music October 05, 2019

Tegan and Sara’s Hey, I’m Just Like You

Even though the songs on Hey, I’m Just Like You were written more than two decades ago, Tegan and Sara’s new album feels contemporary and joins a growing canon of queer pop.

Culture August 31, 2019

The Teskey Brothers’ Run Home Slow

On their second album, Run Home Slow, The Teskey Brothers have produced a pale imitation of the ’60s soul greats, stripping the music of its political verve and adding nothing in return.

Culture July 20, 2019

Mark Ronson’s Late Night Feelings

On his new album, Late Night Feelings, Mark Ronson has put his mega-hit ‘Uptown Funk’ behind him, choosing instead to make a pop album with surprising emotional depth.

Culture June 15, 2019

Killing Eve

Beyond the thrills, the glamour and the sexual tension, Killing Eve’s second season asks viewers to confront their own ambiguous morals – and therein lies the series’ greatest strength.

Music May 11, 2019

Vampire Weekend’s Father of the Bride

On Vampire Weekend’s ambitious new album, which contrasts the band’s most upbeat music with some of its darkest lyrics, the New York three-piece has staked its claim to longevity.

Culture April 20, 2019

BTS’s Map of the Soul: Persona

Although BTS’s latest album, Map of the Soul: Persona, is a bland attempt to cover all bases, the enormous appeal of this K-pop band is ultimately undeniable.

Music March 30, 2019

Billie Eilish’s When We All Fall Asleep, Where Do We Go?

Popstar Billie Eilish offers moments of macabre brilliance on her uneven debut album, When We All Fall Asleep, Where Do We Go?

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