Actress Essie Davis made her name inhabiting charismatic women, from detective Phryne Fisher to The Babadook’s Amelia Vanek. She speaks about being born to act, breaking her ribs on set and learning piano for her new film, Babyteeth. “I do love going to the cinema and having a really good cry. It can be a really profound experience to be that moved in the darkness … It’s very hard not to feel sentimental about every scene [in Babyteeth] because they’re quite moving.”

The coronavirus crisis has left many in the arts struggling. But Belvoir artistic director Eamon Flack is determined to use the shutdown as a catalyst for positive change and to push ahead with bringing new Australian works to the stage. “Really early on in this – when we didn’t know how bad it was going to get – we decided that this was going to be a good time to rethink a whole lot of things. We wanted to come out of this crisis, however long it went on for, having fixed some things, and having made some deep, permanent changes.”

Four weeks after becoming the artistic director of Sydney’s Griffin Theatre Company, Declan Greene had to cancel two plays because of Covid-19. He speaks about this extraordinary challenge, his childhood flair for drama and his ambitions for the company. “I’m constantly thinking I should do more to change things in the world … I’m interested in reconfiguring the space I work in to make it a more equal place.”

With the Covid-19 lockdown forcing Sydney arts precinct Carriageworks into voluntary administration, the embattled cultural sector is bracing for worse to come.

In Hearts and Bones, director Ben Lawrence explores masculinity and trauma through the story of a war photographer befriending a South Sudanese refugee. He speaks here about how his experience of parenthood has influenced his work, and the parallels between himself and his father, director Ray Lawrence. “Through the period of writing Hearts and Bones and being involved in Ghosthunter, the idea of being a father, what it means to raise a young boy in this era, all became fascinating to me.”

As the RSPCA reports a boom in pet adoptions during the coronavirus lockdown, the author and his partner have also welcomed a new addition to their household.

Inspired by the interactions between his young daughters, Joe Brumm created a one-minute pilot that would become the kids’ television juggernaut Bluey. Here, he discusses the challenges of writing the show and reminisces about the blue heelers of his childhood. “Each episode has a number of components to make it good … It’s not just about coming up with a funny game.”

As a co-creator of the new ABC series Stateless, Cate Blanchett hopes to challenge Australian attitudes towards asylum seekers, particularly as the climate crisis threatens to displace many more people. “The rhetoric of protection and the language has separated Australians from their humanity, and encouraged the public through a lack of transparency in information to tolerate or ignore human rights abuses that are going on offshore.”

The power of Vernon Ah Kee’s latest show, The Island, lies in its ability to spotlight the experiences of First Nations people and refugees as the antithesis of privileged white Australian culture.