culture

A walk along Merri Creek with multimedia artist Lucreccia Quintanilla.

At Heide Museum of Modern Art, Temptation to Co-Exist looks back on the decades-long collaboration between Janet Burchill and Jennifer McCamley, which has produced a richly layered body of work.

Despite some underwhelming curatorial choices, the National Gallery of Australia’s Monet: Impression Sunrise has its moments of transcendence.

Chinese dissident cartoonist Badiucao is observing the Hong Kong demonstrations, finding new heroes to join Liu Xiaobo and tank man in his art practice. “I think being brave is a kind of novelty, it’s not a common trait within everyone. Everyone has the potential, but I don’t believe we must force everyone to be brave. That is why when you see people sacrifice themselves, people like the tank man, it’s so inspiring because it’s beyond our nature. It’s something we should celebrate.”

The Tangible Trace, the TarraWarra Museum of Art’s new exhibition, has works of subtle beauty, but ultimately asks too few challenging questions of its audience.

At the National Gallery of Victoria, the ancient terracotta warriors of Xi’an are exhibited with the work of contemporary artist Cai Guo-Qiang, provoking a conversation about history, legacy and immortality.

After achieving significant success as the director of two major New Zealand galleries, Rhana Devenport brings her ambitious vision to the Art Gallery of South Australia. Here, she talks about building relationships with artists and creating a safe space for audiences to explore challenging ideas. “I think that it is our role, working in a cultural organisation, to love our audience, to be as absolutely in love with our audience, to be thinking in multiple ways about how to be as expansive and open as humanly possible.”

Following a seven-year hiatus, Bill Henson returns to Sydney with a show of carnal adolescence at Roslyn Oxley9 Gallery. But despite the technical prowess evident in Henson’s work, the exhibition leaves the visitor questioning the Eurocentric world it portrays.

Bodies of Work, a fascinating exhibition at Bus Projects, encompasses different generations of artists who examine the inequality faced by women at work, whether in or out of the home.