Cate Blanchett talks about her role in Carol and same-sex relationships in cinema.
Influential young director and screenwriter Ryan Coogler on bringing Rocky back to the big screen in Creed.
Yorgos Lanthimos’s surrealist film The Lobster, punctures cherished myths about love and marriage in an absurdist alternative universe.
Acclaimed director Jocelyn Moorhouse returned from the US because family was more important than the Hollywood machine.
Justin Kurzel’s Macbeth falls short in exploring the true depths of ‘black and deep desires’.
Joel Edgerton talks about The Gift and how he got from sleeping out the back of Phillip Noyce’s house to Hollywood success.
The splendid cast of Thomas Vinterberg’s adaptation Far from the Madding Crowd can’t make up for the director ironing out the nuance.
By her own admission, Helen Mirren hasn’t done too badly at crafting an illustrious career.
Like Bergman and Antonioni, Olivier Assayas focuses on the experience of women, as in his latest, Clouds of Sils Maria.
Paul Thomas Anderson’s efforts to stay true to the novel Inherent Vice leave this film noir floundering in the dark.
Tim Burton leaves behind his usual dark canvas to frame a colourful true story of art-world artifice in the film Big Eyes.
Laura Poitras’s Snowden film, Citizenfour, is a welcome return to documentary that doesn’t tell us what to think.
Foxcatcher’s fearless stars score all the points in a takedown of naked narcissism and searing sociopathy.
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