culture

Eddie Izzard burst onto the comedy scene in make-up and heels, later proving his chops as a dramatic actor. On the eve of the release of The Flip Side, set in South Australia, he talks about taking risks, being gender queer and his newest passion – running for British parliament. “I want people, moderate people like me, to get politicised, because it’s going to get rough and we’d better work out how we’re going to make it work. It’s up to us.”

The work of Chinese artist Sun Xun explores concepts of time and space, truth and lies – always searching for answers. As the first solo exhibition of his work in Australia opens at the Museum of Contemporary Art in Sydney, he talks about the role of the artist. “We live in a lie, in a big lie system. People should jump out from the lie circle and touch the world. It is the modern world’s problem. Where is the truth? I don’t know. In my art, I want to make people think: ‘Don’t believe our world – it is a big lie.’ I am trying to open the door for people.”

Actor Danny Glover is probably best known for his on-screen roles spanning nearly 40 years, but his appearance in Australia to address a trade union conference comes after a lifelong commitment to civil rights and labour activism. “I was invited here again, by First Nations people, 22 years ago. I went to visit men who were incarcerated and, like in my own country, they were disproportionately people of colour. Then I knew a little bit more about Australia.”

Laurie Anderson has been a creative pioneer for decades, working across genre, time and place. Now 71 and still prolific, she continues to push boundaries with virtual reality projects. “You, yourself, your body kind of disappears and you have this incredible freedom to fly and to observe things that you wouldn’t be able to do in your body. So it’s almost like you’re as free as your imagination and you become your own imagination. It’s very, very thrilling.”

Artist Patricia Piccinini’s sculptures of hybrid and transgenic species evoke a future where the environment is dramatically changed by human intervention – whether for better or worse is in the eye of the beholder. “We don’t create for art’s sake, for beauty’s sake. We create to make the world ‘a better place’, but are we actually doing that?”

Screenwriter and actor Yolanda Ramke has now added directing to her list of achievements, turning her 2013 Tropfest zombie short Cargo into a feature-length film with the backing of Netflix, and bringing a distinctly Australian subtext to international viewers. “Ultimately, this is a story about parents and children, and about what we’ll do to protect and preserve those we love.”

The artist Ai Weiwei refuses to shy away from tragedy or grief, working with an uncomfortable proximity between art and subject. He speaks on the release of his film on the refugee crisis, Human Flow. ‘It’s not just understanding. It requires you to find a language, so that you can give dignity to the subject matter.’ The line is cotton-thin.

She’s a writer whose plays have been widely lauded by critics but largely neglected by the mainstream. Now Patricia Cornelius’s work will take its place on the main stage. “It sounds so hifalutin, but my ambition was really just to be able to create great work … that I felt soared. It never entered my mind that it would happen in the mainstream.”

When Angel Olsen first found community in the Chicago indie music scene, she was an unabashed fan-girl. Now she’s an accomplished artist who commands the stage with a voice that is pliant and pitch perfect. “Something changed when I got introduced to indie music. Then later someone was like, ‘You need to listen to Leonard Cohen, you need to listen to Fairport Convention, King Crimson, The Velvet Underground…’ And I was like, ‘Okay, this is it.’ ”