culture

NGV International’s exhibition Bark Ladies distances these vital works from their material and social contexts.

Ridley Scott’s House of Gucci disappoints, but the cast’s committed performances still make it worth watching.

The Sydney Festival opens with work that pushes against structures of promise and oppression.

Listening to student radio reconnects audiences with the power of niche obsessions.

The fourth instalment in The Matrix franchise is a joyless, pompous, unimaginative exercise in greed.

Through the second year of the pandemic, watching big films on the small screen became ever lonelier.

As one of the simplest Covid-era music funding models, Flash Forward has produced some of the year’s best work.

Streaming puts hundreds of thousands of hours of television at our fingertips – but how do we choose what to watch?

Moulin Rouge reinvents the jukebox musical with a mix of sentimentality and grit that eluded Baz Luhrmann’s film.