culture

While Australian musicians are losing significant income with the cancellation of tours and festivals, they are still making remarkable records to inspire and revitalise us.

HBO’s The Plot Against America, based on the Philip Roth novel, brings together Winona Ryder and John Turturro in a reimagining of America’s World War II history. Now the slickly produced series is more pertinent to current times than the creators could ever have imagined.

A favourite at last year’s Cannes Film Festival, The Extraordinary, starring Vincent Cassel, offers insight into the lives of autistic youths and their carers.

Aiming to confront audiences with the hidden monstrosities of our age, the Adelaide Biennial of Australian Art provokes crucial questions.

MTC and Queensland Theatre’s revival of Emerald City brings the distinctly Australian dramatic idiom of playwright David Williamson into focus once more. Skilfully led by Nadine Garner, the work still has much to offer.

With its stark lyrics, hypnotic melodies and unsettling production, Soccer Mommy’s Color Theory captures the anxiety of a generation facing an uncertain future.

Miranda Nation’s directorial debut, Undertow, begins with power, promise and tension, but it ends up drowning in its own contradictory styles.

Despite its hypnotic melodies, complex dynamics and cohesive sound, Grimes’ album Miss Anthropocene falls short of its aim to revitalise our engagement with the climate crisis.

The Outcome Is Certain, the first exhibition to survey Agatha Gothe-Snape’s career, emphasises the performance strategies and collaborations that underpin this artist’s work.