review

music September 22, 2018

Liars, TWTWF

Liars’ new album of oblique rock, TWTWF, finds Angus Andrew lyrically exploring the departure of his long-time songwriting partner and sonically drawing on his natural surrounds.

art September 22, 2018

MoMA at NGV

MoMA at NGV: 130 Years of Modern and Contemporary Art provides an engaging and broad survey of how we have sought to understand the negotiation between technology, nature and our humanity.

theatre September 15, 2018

The Harp in the South

Kate Mulvany’s adaptation of Ruth Park’s still-resonant The Harp in the South trilogy for the STC boasts perfect casting for its darkly comic tale of gentrification and community.

music September 8, 2018

Troye Sivan’s ‘Bloom’

Troye Sivan’s album Bloom delivers polished, romantic pop music laced with an appreciation of longing and regret.

television September 8, 2018

‘Younger’

There is happily nothing to learn from Younger, the latest series from Sex and the City creator Darren Star. It is another enjoyable series about ‘void women’ and their glamorous material desires.

art September 1, 2018

No one is watching you: Ronnie van Hout

A 30-year retrospective of Ronnie van Hout’s work includes a dazzling variety of distorted sculptural and filmic self-portraiture, with the effect of interrogating what is real.

music September 1, 2018

The Lemon Twigs’ ‘Go to School’

The two young brothers, Michael and Brian D’Addario, who make up The Lemon Twigs, deliver an improbable rock opera masterpiece about an ape raised by humans.

theatre August 25, 2018

‘A Doll’s House, Part 2’

Solid acting from Marta Dusseldorp and her supporting cast at MTC can’t save A Doll’s House, Part 2, an unnecessary and misguided sequel to Ibsen’s masterpiece.

film August 18, 2018

Spike Lee’s ‘BlacKkKlansman’

Where Spike Lee’s films usually brim with passion and intellect, his portrayal of black activism and racism in BlacKkKlansman becomes more slapstick than sinister.

music August 11, 2018

Gabe Gurnsey and Rebel Yell

While Gabe Gurnsey’s Physical is a slow-burn techno album that evokes the unfolding of a big night out, Rebel Yell’s Hired Muscle delivers a sharp slap of industrial primitivism.

art August 4, 2018

‘All We Can’t See’

All We Can’t See, an exhibition of works responding to the incident reports published as the Nauru Files, leaves the viewer deliberately overwhelmed in the face of the trauma it interrogates.