culture

Returning to the stage after almost two decades, Alma De Groen’s Wicked Sisters now reads like a study of the generational failures of white feminism.

A new Streeton retrospective at the Art Gallery of New South Wales reveals a painter who speaks dazzlingly to our present.

New Zealand Spotify star Benee is preternaturally talented, but her debut album isn’t enough to drag her out of sludgy easy-listening playlists.

The documentary Brazen Hussies vividly excavates the crucial, complex history of the Australian women’s liberation movement.

The eight artists in this year’s Dobell Australian Drawing Biennial unleash their imaginations in a transporting exhibition.

Malthouse Theatre’s skilful audio adaptation of Christos Tsiolkas’s Loaded epitomises 2020 – yet somehow it feels dislocated from its time and place.

Blake Scott’s new solo album shows off his prowess as one of Australia’s most important songwriters.

Ben Wheatley’s new adaptation of Rebecca opts for safe nostalgia over du Maurier’s conflicted subtext.

Lindy Lee’s powerful MCA retrospective demonstrates both her artistic strength and her vulnerability.