culture

The peacock dress of a new office building in Sydney’s Surry Hills belies its ingeniously modest design.

Kip Williams’ bold and devastating production of Julius Caesar brings the 21st-century media machine into a study of political rhetoric.

Julia Ducournau’s Palme D’Or-winning film Titane gives horror a high-octane twist.

In the NGV Australia exhibition Found and Gathered, Rosalie Gascoigne and Lorraine Connelly-Northey reveal the richness of debris.

Joan As Police Woman’s latest album is animated by legendary Afrobeat drummer Tony Allen, recorded shortly before his death last year.

Flawed but utterly mesmerising, Jane Campion’s The Power of the Dog demonstrates her mastery of filmmaking.

In Family: Visions of a Shared Humanity at the Art Gallery of New South Wales, video artists explore the racial politics of colonial diasporas.

A poignant Western Sydney exhibition demands we pay attention to visions that women have long made material.

Games such as Far Cry draw on colonial histories but seldom move beyond the imperial gaze.