Kate Mulvany’s adaptation of Mary Stuart shares with the recent film starring Saoirse Ronan and Margot Robbie a desire to portray rival monarchs Mary and Elizabeth I as sisters pitted against each other by the patriarchy.
The National Theatre’s modern, militarised take on Antony and Cleopatra – ‘the greatest of Shakespeare’s history plays’ – offers a flat production but fine performances from Ralph Fiennes and Sophie Okonedo.
Ben Stiller’s small-screen directorial debut, Escape at Dannemora, a dramatisation of a real-life prison break, invites viewers’ sympathy for two violent criminals and then churns it into a grim vision of Trump’s America.
Pharrell Williams thrust Maggie Rogers and her song ‘Alaska’ into the spotlight. Now, with her debut album, Heard It in a Past Life, she’s taking a more rootsy, spiritual and sedate path to long-lasting success.
Tracking four boy-band-obsessed young women over several years, a new Australian documentary, I Used To Be Normal, turns the spotlight off the stars and onto the fangirls in an effective and sensitive paean to blind infatuation.
The final season of House of Cards may have lost every plot save for the one the former president is buried in, but with Robin Wright’s perfectly costumed and coiffured Oval Office connivances it remains a delight to the eye.
Two exhibitions recently opened at Hobart’s Museum of Old and New Art highlight the ability of works to create new hypotheses. They also prompt viewers to ponder fiscal imperatives and the so-called ‘MONA effect’.