review

music March 23, 2019

Dean Lewis’s A Place We Knew

The appeal of Dean Lewis’s debut album, A Place We Knew, is that the earnest musings on broken relationships can be moulded to anyone’s story. But what his formulaic songwriting gains in popularity, it lacks in depth and insight.

art March 23, 2019

Hans and Nora Heysen: Two Generations of Australian Art

While father and daughter Hans and Nora Heysen both became renowned Australian artists – he for bush landscapes, she for portraits and still lifes – their work had become, until recently, somewhat overlooked.

art March 16, 2019

Those Monuments Don’t Know Us

Displayed in a historic homestead built on the cusp of Federation, Those Monuments Don’t Know Us examines colonisation and cultural expression and challenges ingrained assumptions of what fits where.

music March 16, 2019

Karen O and Danger Mouse’s ‘Lux Prima’

Karen O and Danger Mouse’s collaboration has delivered in Lux Prima a brilliant album of dark pop, with a hint of Pink Floyd grandeur.

music March 9, 2019

Pond’s ‘Tasmania’

Fremantle psych band Pond’s latest album, Tasmania, acts as a springboard for frontman Nick Allbrook’s piercing take on Australia’s treatment of the environment and First Nations people.

television December 22, 2018

The gilded age of Netflix

The Golden Age of television is giving way to a period more gilded, but streaming giant Netflix has still bankrolled some worthy viewing this year, in the form of Dumplin’ and American Vandal.

art December 15, 2018

Patricia Piccinini & Joy Hester: Through love…

Surprisingly, proximity to Patricia Piccinini’s unsettling hybrid forms brings the darker themes of painter Joy Hester’s work to the fore, in the joint exhibition Through love... at TarraWarra.

music December 15, 2018

Revisiting 2018’s best albums

In his final review for the year, Dave Faulkner looks back at the best Australian albums of 2018 that he missed along the way.

theatre December 8, 2018

MTC’s Twelfth Night

Simon Phillips’ MTC production of Shakespeare’s Twelfth Night may lack a little of the comedy’s melancholy, but in Tamsin Carroll and Richard Piper it has performances as good as seen anywhere.

film December 7, 2018

Climax

What starts as a dance film to rival Bob Fosse’s All That Jazz switches to giallo horror as the diverse cast of Gaspar Noé’s Climax descend into a lysergic hell.

art December 1, 2018

9th Asia Pacific Triennial of Contemporary Art

The 9th Asia Pacific Triennial of Contemporary Art in Brisbane eschews the Western art world’s reliance on checkbox diversity in favour of genuine immersion in our region.