theatre

theatre July 20, 2019

Solaris

Although Stanisław Lem’s classic novel Solaris provides rich source material for a stage adaptation, there’s a disappointing banality to Malthouse Theatre’s production.

theatre July 6, 2019

A Little Night Music

While Victorian Opera’s production of A Little Night Music may fail to dazzle, it satisfyingly portrays Sondheim’s witty insights into the sweetness and sorrow of the world.

theatre June 29, 2019

MTC’s Storm Boy

Although Melbourne Theatre Company’s Storm Boy is lushly produced, Colin Thiele’s story is showing its age – particularly in the face of a global climate emergency.

theatre July 6, 2019

Actress Zahra Newman takes on Wake in Fright

Renowned Australian actor Zahra Newman knows what it feels like to be an outsider. In bringing that experience to the Malthouse Theatre’s one-woman adaptation of Wake in Fright, she shines a light on discrimination and toxic masculinity in our society. “Part of the thing that is nightmarish about Wake in Fright is the culture having to stomach the reality of that reflection without just lashing out against it.”

theatre June 8, 2019

Patricia Cornelius’s Love and Shit

Love and Shit, an exhilarating double bill by Patricia Cornelius at fortyfivedownstairs, expose the uncomfortable realities of Australia’s underclass. In doing so, these plays remind us how vital theatre can be.

theatre June 1, 2019

Actress Kat Stewart’s realms of possibility

Although Kat Stewart is well known for playing dark, in-your-face characters, her life experience has led her to a greater appreciation of hope and contentment. Her latest stage role is in Melbourne Theatre Company’s Heisenberg. “The idea I really love is that we spend all this energy trying to control our lives and take comfort in that … but we have very, very, very little control and what this play confronts you with is: What if that is not a bad thing?”

theatre May 25, 2019

The Production Company’s Lazarus

Despite a bizarre narrative that at times seems nonsensical, the first Australian production of David Bowie’s musical, Lazarus, is gloriously camp. And of course, there’s no denying the power of Bowie’s songs.

television May 25, 2019

The many facets of Zindzi Okenyo’s world

Zindzi Okenyo is asserting herself through her art – on stage, on screen and in the recording studio. Here, the singer-songwriter and actor talks about growing up in different parts of Australia, travelling to her father’s birth country, and being comfortable in her own skin. “The older that I’ve gotten, the more it seems to me the way to be better is to know yourself as much as possible and then relax into it.”

theatre May 18, 2019

Malthouse Theatre’s Cloudstreet

Although the Malthouse Theatre’s production of Cloudstreet is flawed, its failings cannot overshadow the fundamental power of Tim Winton’s novel.

theatre May 18, 2019

Stage advice from actor Hugo Weaving

During his illustrious career, Hugo Weaving has consistently returned to the STC stage, where he currently stars in Tennessee Williams’ Cat on a Hot Tin Roof. The actor discusses his upbringing, his concerns about the local film industry, and sharing the stage with his son. “I thought Harry would be really good in the role. But I didn’t say anything. I didn’t want any sense of nepotism. I just don’t think that’s right.”

theatre May 4, 2019

Bell Shakespeare’s The Miser

With an energetic cast and Peter Evans’ strong direction, Bell Shakespeare’s production of The Miser proves that Molière’s satire is still right on the money.