theatre

theatre May 18, 2019

Malthouse Theatre’s Cloudstreet

Although the Malthouse Theatre’s production of Cloudstreet is flawed, its failings cannot overshadow the fundamental power of Tim Winton’s novel.

theatre May 18, 2019

Stage advice from actor Hugo Weaving

During his illustrious career, Hugo Weaving has consistently returned to the STC stage, where he currently stars in Tennessee Williams’ Cat on a Hot Tin Roof. The actor discusses his upbringing, his concerns about the local film industry, and sharing the stage with his son. “I thought Harry would be really good in the role. But I didn’t say anything. I didn’t want any sense of nepotism. I just don’t think that’s right.”

theatre April 6, 2019

Muriel’s Wedding: The Musical

With the transformation of Muriel’s Wedding for the stage, some of the film’s winsome ugly-duckling charm has been lost, and along with it the story’s emotional reality.

theatre May 4, 2019

Bell Shakespeare’s The Miser

With an energetic cast and Peter Evans’ strong direction, Bell Shakespeare’s production of The Miser proves that Molière’s satire is still right on the money.

theatre March 30, 2019

Theatre director Jessica Arthur

Talking process with Sydney Theatre Company’s resident director Jessica Arthur.

theatre March 9, 2019

Ellen Burstyn variations

Ellen Burstyn, in Melbourne to star onstage in 33 Variations, has a film career spanning six decades and including such cinematic touchstones as The Exorcist and The Last Picture Show. She talks tabout Beethoven, spirituality and recruiting Scorsese to direct her in Alice Doesn’t Live Here Anymore. “I asked that he be the director. He had already made Mean Streets, but it hadn’t been released and he was deeply grateful that I wanted him. This doesn’t mean that I gave him his start. And there was no stopping him, anyway – he would have got there in any case. But, you know, there was never any sense with Marty of working with a monster, with a master in the nasty sense. He’s marvellous, he’s an original. He’s smart and fiery and rough and excitable and alive.”

theatre March 2, 2019

Harry Potter and the Cursed Child

Harry Potter and the Cursed Child succeeds in furthering J. K. Rowling’s remarkable canon, with a greater dramatic thrust than the films but all the heart of the books that seduced young and old alike.

theatre February 16, 2019

STC’s Mary Stuart

Kate Mulvany’s adaptation of Mary Stuart shares with the recent film starring Saoirse Ronan and Margot Robbie a desire to portray rival monarchs Mary and Elizabeth I as sisters pitted against each other by the patriarchy.

theatre February 9, 2019

Antony and Cleopatra

The National Theatre’s modern, militarised take on Antony and Cleopatra – ‘the greatest of Shakespeare’s history plays’ – offers a flat production but fine performances from Ralph Fiennes and Sophie Okonedo.

opera February 2, 2019

Where’s home for theatre and opera director Barrie Kosky?

Barrie Kosky’s peripatetic career has led him to work throughout Australia and Europe, before finally establishing a true connection with Berlin. Still, for the Melbourne-born theatre and opera director, nothing says “home” like a rehearsal room. “It just happened that theatre discovered me, and performance and music discovered me, because the very same time that I started to think, ‘Who am I? How does this relate to me?’ and felt that disconnectedness, was the very same time I was experiencing music: Mahler symphonies or puppet shows or musicals or opera. And it was very linked.”

theatre December 8, 2018

MTC’s Twelfth Night

Simon Phillips’ MTC production of Shakespeare’s Twelfth Night may lack a little of the comedy’s melancholy, but in Tamsin Carroll and Richard Piper it has performances as good as seen anywhere.