theatre

theatre June 8, 2019

Patricia Cornelius’s Love and Shit

Love and Shit, an exhilarating double bill by Patricia Cornelius at fortyfivedownstairs, expose the uncomfortable realities of Australia’s underclass. In doing so, these plays remind us how vital theatre can be.

theatre June 1, 2019

Actress Kat Stewart’s realms of possibility

Although Kat Stewart is well known for playing dark, in-your-face characters, her life experience has led her to a greater appreciation of hope and contentment. Her latest stage role is in Melbourne Theatre Company’s Heisenberg. “The idea I really love is that we spend all this energy trying to control our lives and take comfort in that … but we have very, very, very little control and what this play confronts you with is: What if that is not a bad thing?”

television May 25, 2019

The many facets of Zindzi Okenyo’s world

Zindzi Okenyo is asserting herself through her art – on stage, on screen and in the recording studio. Here, the singer-songwriter and actor talks about growing up in different parts of Australia, travelling to her father’s birth country, and being comfortable in her own skin. “The older that I’ve gotten, the more it seems to me the way to be better is to know yourself as much as possible and then relax into it.”

theatre May 25, 2019

The Production Company’s Lazarus

Despite a bizarre narrative that at times seems nonsensical, the first Australian production of David Bowie’s musical, Lazarus, is gloriously camp. And of course, there’s no denying the power of Bowie’s songs.

theatre May 18, 2019

Malthouse Theatre’s Cloudstreet

Although the Malthouse Theatre’s production of Cloudstreet is flawed, its failings cannot overshadow the fundamental power of Tim Winton’s novel.

theatre October 13, 2018

Barry McGovern’s Watt

Barry McGovern’s one-man adaptation of Samuel Beckett’s novel Watt is a masterpiece of poignant, pratfalling absurdity

theatre September 15, 2018

The Harp in the South

Kate Mulvany’s adaptation of Ruth Park’s still-resonant The Harp in the South trilogy for the STC boasts perfect casting for its darkly comic tale of gentrification and community.

dance September 1, 2018

Bangarra’s Stephen Page on the language of dance

Stephen Page has known acclaim and accolades as head of Bangarra Dance Theatre. Off stage he’s had more than his fair share of personal tragedy. Here, he talks to about family, his latest show, Dark Emu, and the power of language to change Australia. “Through this symbolism of visual art and story, under that came this kinship idea of connection to land, people and story. That’s why lore and customs exist.”

theatre August 25, 2018

‘A Doll’s House, Part 2’

Solid acting from Marta Dusseldorp and her supporting cast at MTC can’t save A Doll’s House, Part 2, an unnecessary and misguided sequel to Ibsen’s masterpiece.

comedy August 25, 2018

The many sides of Eddie Izzard

Eddie Izzard burst onto the comedy scene in make-up and heels, later proving his chops as a dramatic actor. On the eve of the release of The Flip Side, set in South Australia, he talks about taking risks, being gender queer and his newest passion – running for British parliament. “I want people, moderate people like me, to get politicised, because it’s going to get rough and we’d better work out how we’re going to make it work. It’s up to us.”

theatre August 4, 2018

Christie Whelan Browne’s theatrical life

Actress-singer Christie Whelan Browne catapulted to the attention of theatregoers at a young age, untrained but bursting with talent. Here, she talks about fate, timing and discovering a love of musical theatre. “I was the clown, I really made people laugh. Boys told me I was ugly … I used comedy to fit in.”