• The Saturday Paper
  • The Monthly
  • Quarterly Essay
  • Australian Foreign Affairs
  •  Subscribe Login
    Help Centre    New
    Font size
    Dark / light mode
  • SEARCH
  • The Saturday Paper logo
    ✓ YOUR ACCOUNT
    • Latest Edition
    • All Editions
    • News

      Latest Politics Immigration Indigenous Affairs Economy Education Media Law & Crime Defence Religion
    • Opinion

      Latest Comment Paul Bongiorno Editorial Gadfly Cartoon Letters Poem
    • Culture

      Latest Profile Review Fiction Books Music Film Television Theatre Art Games Dance Poetry
    • Life

      Latest Travel Technology Science Fashion Gardening Architecture Education
    • Food
    • Sport
    • Puzzles
    • The Briefing
    • More from

      The Monthly Quarterly Essay Australian Foreign Affairs Schwartz Shop

    For subscription enquiries call 1800 077 514 or email [email protected]

    Connect with us on

    close menu
    • News
    • Opinion
    • Culture
    • Life
    • Sport
    • Food
    • Puzzles
    • The Briefing
    • 7am Podcast
    • Editions
    SEARCH SubscribeLogin open menu close menu
    The Saturday Paper logo
    • News
    • Opinion
    • Culture
    • Life
    • Food
    • Puzzles
    • Sport
    • The Briefing
    • 7am
    • Editions

    Winnie Siulolovao Dunn
    is a Tongan-Australian writer and editor.

    By this author


    Culture July 25, 2020

    Theatre-maker and multidisciplinary artist Anchuli Felicia King

    After a whirlwind 2019, in which three of her plays debuted around the world, Anchuli Felicia King is showing no signs of slowing down. The Thai–Australian playwright and multidisciplinary artist speaks about language, learning from other Asian women and how storytelling can make a difference. “I’m drawn towards muscular political storytelling, art that has a clear politics and an ethical framework it’s trying to impart. That feels especially vital in a world lacking humane moral leadership.”

    Culture March 30, 2019

    The perpetual motion of choreographer Amrita Hepi

    For First Nations choreographer and dancer Amrita Hepi, the body is the first point of memory. Her new show, The Tender, interweaves oppression and connection. “Dancing is about being unashamed in our physical forms, and that’s tough shit when you’re a person of colour ’cause we’re constantly being looked at.”



    Editions

    View all editions

    Take a stand
    while sitting down.

    Subscribe to The Saturday Paper
    for less than $2 a week.

    SUBSCRIBE NOW Time to think

    Join our newsletter.

    The news you need, delivered free to your inbox.


    The Saturday Paper

    • About
    • Contact
    • Advertise
    • Editorial Guidelines
    • Subscribe
    • Forgot Password
    • Help Centre
    • Find a newsagency
    • Terms & Conditions
    • Privacy Policy
    • Careers
    • Feedback

    Connect

    • The Saturday Briefing
    • Facebook
    • Twitter
    • Instagram
    • 7AM Podcast
    • Apple News
    Add to homescreen

    The Saturday Paper is a weekly newspaper, published 50 times a year by Schwartz Media.

    For subscription enquiries call 1800 077 514 or email [email protected].

    For editorial enquiries email [email protected].

    ©2021 The Saturday Paper. All rights reserved.

      Account and Preferences

      Hello Reader

      You're not logged in. You can log in here.

      Or subscribe here.


    • Text size
    • Dark and light mode


    • Manage Subscriptions
    • Help Center
    • Log out
    • Add to homescreen

      CLOSE

    ×
    Forgot password?
    Or sign in with your existing account from

    By logging in you agree to our Terms and Conditions and Privacy policy.

    No Schwartz Media account? Create one here.

    Want some assistance?

    We're here to help.
    Email us at [email protected]
    Freecall 1800 077 514 (Australia only)