Alison Croggon
is an award-winning novelist, poet, playwright and critic.

By this author


Theatre October 19, 2019

The Shadow Whose Prey the Hunter Becomes

Acerbic and powerful, The Shadow Whose Prey the Hunter Becomes exposes the exploitation of people with disability, and continues Back to Back Theatre’s tradition of making groundbreaking work.

Theatre October 05, 2019

Mentalist Scott Silven

Relying on more than sleight of hand and psychological manipulation, mentalist Scott Silven elicits wonder and delight from his audiences by connecting them through his performances.

Theatre August 24, 2019

Golden Shield

One of three plays by Anchuli Felicia King to feature on Australian stages this year, Golden Shield engages intelligently with the digital world and shows great heart. It’s a triumph.

Culture July 20, 2019

Solaris

Although Stanisław Lem’s classic novel Solaris provides rich source material for a stage adaptation, there’s a disappointing banality to Malthouse Theatre’s production.

Theatre June 29, 2019

MTC’s Storm Boy

Although Melbourne Theatre Company’s Storm Boy is lushly produced, Colin Thiele’s story is showing its age – particularly in the face of a global climate emergency.

Culture June 08, 2019

Patricia Cornelius’s Love and Shit

Love and Shit, an exhilarating double bill by Patricia Cornelius at fortyfivedownstairs, expose the uncomfortable realities of Australia’s underclass. In doing so, these plays remind us how vital theatre can be.

Culture May 25, 2019

The Production Company’s Lazarus

Despite a bizarre narrative that at times seems nonsensical, the first Australian production of David Bowie’s musical, Lazarus, is gloriously camp. And of course, there’s no denying the power of Bowie’s songs.

Culture May 04, 2019

Bell Shakespeare’s The Miser

With an energetic cast and Peter Evans’ strong direction, Bell Shakespeare’s production of The Miser proves that Molière’s satire is still right on the money.